![]() ![]() This was followed in 2021, again with Limbus, by the story collection Neun seltsame Frauen, which earned Chana a nomination on the shortlist of the Austrian Book Prize. ![]() Her book debut, the poetry collection Sagt die Dame (Limbus Verlag), was one of the poetry recommendations of the German Academy for Language and Poetry in 2019. In the 2015/16 academic year, she held a lectureship on poetry and songwriting at the University of Salzburg. ![]() Her scholarly interests include cabaret and American representatives of confessional poetry, as well as singer-songwriters of the 20th century. tujhe yaad kyaa nahii.n hai mire dil kaa vo zamaana vo adab-gah-e-mohabbat vo nigah kaa taaziyaana ye butaan-e-asr-e-haazir ki bane hai.n madrase me.n na adaa-e-kaafiraana na taraash-e-aazraana nahii.n is khulii fazaa me.n ko.ii gosha-e-faraaGat ye jahaa.n ajab jahaa.n hai na qafas na aashiyaana rag-e-taak muntazir hai tirii baarish-e-karam kii. In 2012 she received her PhD with a thesis on crime and morality about Patricia Highsmith, Simona Vinci and Liliana Cavani. Her diploma thesis in Comparative Literature, she wrote in 2010 about the influence of Dadaism and Erika Mann’s Pfeffermühle on political cabaret in Switzerland. Daniela Chana, born in Vienna in 1985, studied at the University of Vienna. ![]()
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